“Casey Erin Clark brings stunning personal depth and nuance to every character she creates. Her rare and uncompromising dedication to truth is always evident in her work. What’s more, she possesses a mastery of character work rarely found in leading ladies. If that weren’t enough, she’s an extraordinarily divine singer. In my more than twenty years of working in musical theater, hers remains one of my very favorite voices ever.”

“Shout Hallelujah! Shout gives us five of the most deliciously talented young women . . . Casey Clark (Red Girl – think a young, gifted Carol Burnett) . . .”

“Casey was a critical part of my book launch. She helped me distill my talk to the most important points and helped me find more interesting language to communicate those points. She also gave me tools and techniques to make my voice stronger. Bottom line: I am so much more prepared and confident. I cannot recommend her highly enough!”

“Casey Erin Clark´s angelic characterization of Fantine sears into your brain, and you genuinely miss her after her too-brief appearance.”

“Casey absolutely saved my voice! She helped me diagnose some bad vocal habits, gave me renewed confidence in my speaking ability, and taught me how to use breath and pitch to make my voice sound (and feel) its best. I’d recommend her to anyone looking for speech and vocal coaching.”

“Casey Erin Clark is nothing short of delightful as the full-of-life Maria […] She handles the pesky opening title number with a charm and a sense of wit that I’ve never seen in the numerous stage productions I’ve seen of this show.”

We savored the theatrical staging and song craft present in Fantine’s struggle with a factory enemy (given sardonic life by Casey Erin Clark) in “At the End of the Day.” Even more cutting and crisp was the social indictment of “Lovely Ladies,” made considerably more savage by the talented women's chorus.

“Clark has a seductive high range and 
a sophisticated air that contrasts nicely with Fredo’s guyish charmer. His snappy deep voice and tap dancing panache are the liveliest elements of the show; her torch-song sound is the most haunting.”

“I can't overstate how much working with Casey meant to me. She helped me tighten my content, see the really pivotal moments of my story and how to emphasize them for the most impact. She taught me how to use the full range of my emotions for my benefit instead of being afraid of them. She gave me guidance on how to feel like my best and most powerful self. I went from feeling really anxious and fearful about delivering such a personal, vulnerable story in front of an audience to feeling so strong and in command.”

“This production is as classy as the guy himself tried to be . . . A typical sequence: Clark’s soaring notes followed by plummeting drops as her exquisite voice ingeniously phrases ‘My Funny Valentine’ . . .”

“As difficult as it is to portray a beloved literary character, it may be even harder to imagine a more perfect Jo March than Casey Erin Clark. Bold, funny and possessing a luminous smile that brightens even the cheap seats, Clark is excellent as the young woman who dream of making it as a writer, not just as a wife.”

“Casey Erin Clark is buoyant, redheaded Maria,
 brimming with lots of almost adolescent energy
 and charisma. As the young novice trying to decide her vocation in life between being a cloistered nun or a young mother with an inherited family, Clark has both the voice and verve….”

“Casey Erin Clark vividly captures the agony of Fantine’s short, unhappy life and her desperation to carve out something better for the daughter she leaves behind.”

“As the high-spirited postulant Maria, Casey Erin Clark gives an engaging performance. With her swinging arms and loping stride, Clark physically embodies all the reasons that, as an older nun puts it, “Maria’s not an asset to the abbey.”....Rodgers and Hammerstein introduce Maria with a big flourish, putting her on stage alone to sing the dramatic title song. Clark carries it off in smart style, with a touch of humor to leaven the vocal drama.”

“Clark oozes the strength and confidence that might just make her just the sort of woman that Sinatra would find a romantic challenge (a la Ava Gardner), [and] also radiates a vulnerability that’s appealing.
”

“Casey Erin Clark brings a wealth of experience and talent to the role of Jo, and delivers a heartfelt and immensely appealing performance that draws - and deserves - a standing ovation.”